Blake's 'Jerusalem' As Visionary Theatre

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Viimeisin historian havainto

29.10.2026

Tuotetiedot

Before etching Jerusalem William Blake wrote about creating 'the grandest poem that this world contains.' Blake's avowed intention in constructing the work was to move readers from a solely rational way of being (called Ulro) to one that is highly imaginative (called Eden/Eternity), with each word chosen to suit 'the mouth of a true Orator.' Rational interpretation is of limited use when reading this multifaceted epic and its non-linear structure presents a perennial challenge for readers. Susanne Sklar engages with the interpretive challenges of Jerusalem by considering it as a piece of visionary theatre --an imaginative performance in which characters, settings, and imagery are not confined by mundane space and time-- allowing readers to find coherence within its complexities. With his characters, Blake's readers can participate imaginatively in what Blake calls 'the Divine Body, the Saviour's Kingdom,' a way of being in which all things interconnect: spiritually, ecologically,

Brändi

oxford university press

EAN / GTIN

9780199603145